Production hub about me9/26/2023 He came to Abbey Road last year and spent 10 days in Studio One recording a full orchestra. As a huge Harry Potter fan, I admired his work scoring the last two films. This was special as I love Desplat’s music. My favourite film session was Guillermo del Toro’s Pinocchio with Alexandre Desplat. Next week, he and his team will leave for a two-week trip to Iraq and Syria, where they will collaborate with their local networks on music-therapy initiatives.Sarah: I’m stuck between two, a film session and a music session. They speak the language and know the cultural context the best,” Dols said. Training local community-builders is the key element in the organization’s approach of developing music-education programs aimed at bringing change to the humanitarian field. Thus, the intention is not to ask “how do you feel,” but rather to “playfully express what’s going on inside you.” “Using music is a way to express yourself when you can’t find the words to do so,” said Dols. “Music changes the world because it changes people,” is the organization’s ethos, with a belief that music can serve as a coping mechanism and has the power to channel even the most complex emotions.Ĭonsequently, the emphasis is on using sounds as opposed to words. Sounds of Change focuses on Lebanon, Jordan, Egypt, Turkiye, Iraq and Palestine. Starting with his own project of creating music in a Jordanian refugee camp in 2012, the organization now uses music to enable social change and stimulate creativity, connection, trust and empowerment in refugee camps and marginalized areas in the Middle East and North Africa. ![]() ![]() Prompted by the outbreak of the Syrian war in 2011 and a sense of helplessness, he felt the need to take action. This way, Dyar’s music is more relatable to those in the Netherlands and broader Western audiences, he added.ĭols also founded the organization Sounds of Change in 2017. In their song “Autumn Nights,” Altaky sings about the mountains of As-Suwayda in southwestern Syria, reminiscing about his Arab roots.ĭols adds the bass instrument, which he said is not typically found in traditional Arabic music. Music has no miscommunication,” Altaky told a Dutch broadcaster.ĭuring the performance, Almaghoot emphasized Dyar’s aim to raise awareness for oppressed people worldwide. “I can travel anywhere in the world without speaking the language because with music, you touch people directly in the heart. ![]() Growing up in different worlds, Dols and the three other Syrian band members - vocalist and oud player Nawras Altaky, percussionist Modar Salama and clarinetist Ghaeth Almaghoot - found a deep connection by sharing their love for music. “I truly feel that all audiences will enjoy the series.” Everyone involved made it possible to take the words on paper and turn them into characters you can relate to, jokes that crack you up, and situations that feel true,” says Al-Abdulmohsen. It isn't only about displaying formal techniques. ![]() “The collaborations between directors and cast really enriched the narrative, which is what makes this work special. The series, which aims to capture the entrepreneurial spirit of the country, was also a chance to introduce global audiences to emerging Saudi talent of all ages, including the spirited elderly matriarch of the family Lutfiya (Naimah Ahmad) the ‘king-of-the-dad-joke’ father Jumaa (Mohammed Bakhash) the luckless son Yousef (Alhashimi Alfaisal) and the brilliant young daughter Azizah, played by TikTok star Joud Alsufyani.Īccording to Al-Abdulmohsen, having a cast and crew that features multiple generations of Saudis brought to both the set and the material itself the opportunity for intergenerational dialogue at a time when the country is going through significant changes. We wanted to build a world that - even in its comic and made-up moments - feels genuine and authentic,” Al-Abdulmohsen tells Arab News. “Creating ‘Tahir's House’ was a journey to blur the lines between reality and fiction. For Al-Abdulmohsen, who worked from scripts by Jeddah-based Saudi writer Yaser Hammad, who pulled from his own experience of growing up in the city, the project was an opportunity to capture life as it’s really lived in the coastal metropolis.
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